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Woman seduces skittish. She is a bit more plushly upholstered than I generally prefer. But, for me, Hot and wet lesbians has her days. Or, in this caseshe has her images. I tip my hat to photographer Ron Offlin fora dreamy, inverted headshot. This Hot and wet lesbians opens on a sweet and innocent note.

Natalia G. The next twenty images restate the theme of beauty and innocence. Then things get decidedly less innocent. When Natalia raises the hem of her dress and parts her thighs the viewer is greeted by explicit, exceedingly frank views of sex in full, succulent flower. In fact, the presence of an actual flower in many of these shots seems a bit overdone. Yes, Mr. Offlinwe get the visual pun!

Full credit to you, sir, now back to this sensational model!

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With Adult Friend Finder mobile you can do all the things you do on your computer right from your smartphone or tablet. Browse AFF member profiles, send email messages, view cams, and chat right from your mobile device. Join Now! Home Browse Member Login Hookup. Sign Up Now! Start Hooking Up Tonight! She is flirtatious, filled with fun, seductive, gleeful, teasing, thoughtful, and energetic. Her body is lithe, supremely shapely, a cream-skinned wonderland that the eyes never tire of exploring. And her eyes? Oh, they are glittering azure jewels. Here's hoping we'll all soon be saying " Bonjour " to many more sets as wonderful as "Adieu," starring Loreen A. The introductory images in "Cinivia," starring Cristina A. The model relaxes on a sofa, clad in a short, but by no means brazen, black dress. She smiles sweetly. The lighting is subdued. Dispensing with the dress, the model reveals a sheer black teddy. Soon, however, she reveals much, much more. Neither the model or her photographer, Tony Murano, are at all bashful or reluctant. I will warn those members of our group who possess more refined or delicate sensibilities: Of course, what one viewer finds extreme, another viewer will find extremely pleasing, and so it is with this collection. The model is, throughout, an eager and involved participant. She is most obviously enjoying this exercise in titillation and temptation. She is enjoying it so much that she is, quite literally, oozing enjoyment. Viewed from a purely technical point of view, "Amovias" by Tony Murano is a richly textured, subtly nuanced, confidently experimental photo essay. The way he manipulates the lighting - including several impressionistic images of "smeared" candlelight - and the way he explores and emphasizes the shadows prevalent in this series, is truly remarkable. This model, dark, slim, and boasting a simmering sensuality, expresses a range of emotions every bit as rich and nuanced as the stylized photos she's appearing in. Muted light streams in through a window. Three candles cast their warm glow. Irina slowly reveals her body, even as her face exposes aspect of her soul. She is seductive, she is pensive, she is teasing, she is aroused - she is, perhaps above all else, alluring. Some sets possess a theme that is distinct, obvious, and readily observed. In others the theme is something that must be slowly figured out through careful study. And other sets have no theme at all. To my mind, "Charme," by Ron Offlin is such a set. I am not complaining, mind you, I am merely making a comment. While it has no theme, "Charme" does have Simone B. A very voluptuous good thing. Posing on a sofa, in a parlor or antechamber, she is dressed in fetching lingerie. As her frillies come off, the temperature in that room quickly rises. And when she is nude the set takes a particularly explicit turn. As he's been known to do, Offlin offers his subject a piece of jewelry to play with, and the glittering embellishment adds a bit of sparkle to exposed anatomy that is already moist and glistening. In some of the photos Simone is reading an automotive magazine. I find this curious. But maybe that's the key to the set's theme! Is Simone in a doctor's waiting room? If so, he's certain to enjoy her appointment! What do you think? Here is a set that is filled with subtle nuance. And here is a set that is, at the same time, filled with blunt and forceful impact. It ranges from kittenish softness to clinical exposition. There are images that inspire a sigh of mellow appreciation. And there are images that elicit a gasp of lusty surprise. Who is responsible for such a rich series? Photographer Tony Murano is almost shockingly adept at his craft. From full-body images to extreme close-ups he is simultaneously a gifted artist and an impressive technician. And his model, the exotic and shapely Rachel B. But neither of the two - photographer or model - can claim dominance or sole ownership of "Ammix. And this collaboration is an undeniable success. Rachel is gifted with almond eyes, pale-nippled and generously proportioned breasts, and feminine amenities that must be seen to be properly comprehended. Murano devotes much time and talent to revealing these gifts, and he extracts maximum dazzle from each and every one of the 22 megapixels at his disposal. Water is a favorite component of many sets crafted by frequent MetArt contributing photographer Luca Helios. In "Fiorita" the vast majority of the images feature eye-catching Caprice A. The effects attained with this combination are vigorously erotic. Slim, trim, toned and petite, Caprice is a dark-eyed nymphet who exhibits not a single shred of shyness. She is bold and uninhibited, to be sure, but there is an eager, energetic sexuality on display in these images that could never be misconstrued as lewd vulgarity even in her most explicit and revealing postures. The set leaves much room for fantasy and speculation. Is Caprice relaxing and refreshing herself after an energetic tryst? Or is she bathing in anticipation of a meeting with a lover? In either imagined scenario, and in these wonderfully wet images, she truly is a bathing cutie! If you've ever wondered what the term "bedroom eyes" meant, wonder no more. Just eyeball virtually any photo in this collection and you'll understand the concept perfectly. The seductive and inviting look in Marina's eyes is mesmerizing, but she possesses many additional assets and Ron Offlin has a frank and forthright manner of catching them with his camera. Marina H. She has curves. She has a sensational shape. And her coloring - the rich deep, dark brown of her long hair, and the eye-catching pinkness of her nipples - is dramatic. So is what is revealed when the model brazenly parts her thighs to show off her sex. That last sentence really needs a "! The set's title, "Schitterend," had me baffled, but I'm given to understand that it means "Shining," in Dutch. And it is certainly a shining example of erotic portraiture. I am aware that lensman Luca Helios has employed this signature approach in previous MetArt contributions, but this is my first exposure to the style so I will offer my unvarnished impressions. Let me first applaud a technical style and aesthetic approach that is completely out of the ordinary. For that, alone, this series earns respect. The sheer technical effort, the coordination of a team, to produce these complex and striking images, is truly impressive. But technique is technique, and it is nothing without a suitable model. This, of course, is where Sammy A. She is up to the dynamic challenges of light, dark, wet, dry, and plenty of unpredictable motion. The set hits a "high water mark," if you'll excuse the pun, in , where the arching architecture of Sammy's toned body is artfully reflected in the watery surface on which she reclines. My challenge, the challenge I face every time I sit down to write another post for the MetArt blog, is to find something noteworthy about the set at hand, to provide insight to the reading membership, and to suggest approaches to MetArt that enrich the experience. I'm always looking for a "hook" to pull the reader in. Before I'd even glanced at this set I thought I had a hook. The cover image was dark, the model's name was Night , it seemed an angle worth exploring. Light and shadow, the romance and mystery of darkness, waking life versus the dream state - and then I looked at the set. Pure sex. Hot, radiant, moist - make that wet - sex. All my narrative devices and cold, analytic detachment was blow away by the raw power of Night's unabashed sexuality. There are quiet moments here, there is sweetness. But it's the sex that makes this "Night" so unforgettable. A location, a model, an approach. Those are the basic components of any photo set. If only one of these elements is out of the ordinary it can be enough to result in quality photos, but when all three are so striking it makes for powerful viewing. And that's the case with Adelia A. The coastal setting is breathtaking, and if MetArt branches out into landscape photography, we would no doubt welcome studies of this dramatic coastline. Adelia A. But it's the photographer's technical approach to location and model that makes this set shine. I don't pretend to know the nuts and bolts of Leonardo's technique, but I do know he's masterfully manipulated natural and flash light in a way that makes Adelia stand out and appear distinct, separated from the background in a way that must be seen to be completely comprehended. But when waves start dramatically breaking around Adelia the illusion is revealed. Let me add one more "V" word to describe the set " Vitalinia ," starring Vita C. That word is Variety. Shot in and around a swimming pool and spa, Goncharov captures his subject in a simply amazing array of poses and positions. There are carefully composed, almost painterly, portraits. And there are dynamic, impulsive, action-filled frames that pack a particularly "splashy" punch. Many of the shots, particularly early in the series, show off Vita's shapely bust as her clinging blouse, rendered transparent by the water, fights a losing battle to conceal two invitingly stiffened nipples. Later on, after the blouse has come off, Vita finds many interesting ways to pose and play with that very versatile garment. Goncharov and the vivacious Vita C. Can you suggest any others you'd like to see? Let us know, in the comments, below! A quick glance at her fact sheet tells us that Bogdana B. But a lingering glance at any of the photos in this subtly brilliant set by Catherine tells us a whole lot more than Bogdana's physical age. These photos perfectly capture a female in the middle of a miraculous transition - the metamorphosis of a girl into a woman. In so many of these photos Bogdana displays both sides of a body and personality in transition. In some her eyes are innocent, playful. In others her eyes are knowing, sophisticated, and mature well beyond her years. She is no longer a girl, this much is quite obvious. And yet, closer examination of her expression tells us that she is not quite yet completely a woman. Bogdana B. This moment will not last long. But these photos freeze that moment, they expose that moment and preserve that moment. It is with a great sense of relief that I discover two Suzanna galleries upon my return after a short absence from MA,and both are at the high standard I have come to know and love. Brilliant and beautiful as always and all smiles and loveliness. Another classy and classic set. A stunning movie. Into the all time favourites folder it will go. Lola is exquisitely beautiful and sexy. Another MA classic. First class everything. Martina Mink is a goddess and one of my favorites. Can't get enough of her glorious breasts, sexy legs, and honey buns, let alone her beautiful face and curvy, bodacious body. This is an outstanding set given the bedroom setting. Excellent photography. Move over Alisa sorry , it is time for a new Queen to ascend the throne. The bedroom setting at last! Martina is mouth-wateringly marvelous. Very beautiful, very hot, extremely sexy, and pure dynamite. One of my favorites. Niemira, you light my fire. To learn more please see our Privacy Policy. Email newsletters can be blocked or filtered into bulk, spam or marketing folders. As a result, you may miss email communications from us. All models photographed were at least 18 years old. Access Site. May 9th - by: Be the first to comment Share Categories: Erotic Movies hot wet lesbians Movie Reviews outdoor nudity. Erotic Movies hot wet lesbians Movie Reviews nude beach. Erotic Movies hot wet lesbians Movie Reviews top model. In the mood for something sexy? Let Sandra D. Erotic Movies hot wet lesbians mainstream movie sex explicit porn Movie Reviews. Jenya G. April 5th - by: March 7th - by: Erotic Art hot wet lesbians mainstream movie sex explicit porn pale pink. Erotic Art hot wet lesbians mainstream movie sex explicit porn Striptease. Highly Desirable February 3rd - by: Erotic Art hot wet lesbians Movie Reviews old movies Photographers shaved. February 2nd - by: Fire and water January 26th - by: To be pleasing January 20th - by: The flowers of romance January 18th - by: Erotic Art extreme close-ups hot wet lesbians mainstream movie sex explicit porn Nude Photos Photographers. Can't stop the props January 6th - by: January 4th - by: Of sunsets and melons December 21st - by: And I say hello December 19th - by: The closer you get December 9th - by: Is there a doubter among you? Turn your attention to numbers through Ah, yes. Between dusk and dawn December 2nd - by: I found "Amovias" to be a particularly moving work of erotic art - what did you think of it? Don't make her wait November 30th - by: Look of revelations It will make his cock very hard. Then you can suck him She could feel her juices running down her thighs. I could feel her clit, rigid and swollen and I pulled at it softly bringing about a soft sigh of pleasure from her lips. Her new rule of the house was going to be so much fun as she pushed her face deeper in her cunt. Her tongue was driving her wild in lust as she climax on her face. She rubbed her clit some more on her nose… Continue reading Aunty Monica My Nipples Are So Hard Their faces were so close. They could smell each other. Monica was spell bound by this young woman before her. Her mother was licking her down there! My God, what was happening? Jackie was confused. She opened her eyes and lifted her head up to see… Continue reading Mother Grounded Lesbian Stories Ann turned and saw Sandy sitting on a chair totally naked with her legs fully spread. Her mind was racing, images of big hard-ons, 7, 8, 9, even 10 inches burrowing deep inside of it. Now watch as I open myself up for you. She had her hands deep in my hair pushing my mouth up and deeply into her pussy..

One favorite image: And there is a lot more of this type of brazen eroticism to be enjoyed here. I had to chuckle, when I got toin which the model continue reading again fully covered and coyly teases the strap of her dress off her shoulder. The model projects such an Hot and wet lesbians, natural, enthusiasm!

The combination of her eye-pleasing physique and her warm, open attitude is one I find quite irresistible. As near as I can tell, Agni A. And, just as I found my self hankering for a closer look, Agni, on all fours, arches her back, looks straight at the camera, and practically Hot and wet lesbians it at me. In both concept and execution this is art photography of a particularly elegant sort. Not stiff, stuffy, formal elegance, but the organic, stylish, natural type.

A large piece of sheer yellow Hot and wet lesbians floats in a flowing abstract shape.

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The light comes from directly above, but no effort is made to simulate sunlight. Sharon D. And from this, a subtly mysterious and strikingly beautiful series flows. The water is ever-present, but some combination of color and light make it appear as if the model is floating in air in several of Hot and wet lesbians images. Each change of pose, no matter how small or large, moves the fabric and so no two images are alike.

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And those poses are many. I lovea lovely figure study. And for the pose. And I could go on and on. The Hot and wet lesbians first image in this series is cute. Gisele A.

As I said cute. But it is also delightfully deceptive. Because within the span of only a handful of images that cuteness has been replaced Hot and wet lesbians raw physicality and vigorous carnality. The black set and backdrop Ingret employs is a crucial component.

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She strikes a very wide range of poses, many of them exceedingly frank and revealing. And for those who prefer things less raw, there are beguiling headshots and and appealing figure studies and Some of the rose shots seem a little forced, but when it works, it works extremely well. In shots and the flower adds a vivid burst of color to images that are already striking in their own right.

Peggy Hot and wet lesbians. A steady rain falls for Hot and wet lesbians duration of this set starring Liv A. The model is uninhibited, experimental, playful, teasing, and quite tempting. And she offers up a wide range of learn more here, creative poses.

Let me confess, at the onset, that this is the very first MetArt movie I have critiqued. As with every assignment I receive here at MetArt, I approach this one with an open mind and a fair measure of anticipation.

Ah, the pleasure and challenge of moving pictures! Evaluating a Hot and wet lesbians is far different than evaluating a photo series.

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I recalibrate and let the movie play. Certain signatures of photographer Luca Helios are here - inventive lighting, the use of flowing water. But here they have a richer, dynamic impact. Nessa A. There is an undeniably voyeuristic element as the movie begins, and I'm pulled right in.

The soundtrack is unobtrusive, yet still manages to enhance the images. And the images are quite striking to begin with! We see the model in repose on a leopard print throw. In sections she is in and out of crimson panties and Hot and wet lesbians, in others a black bustier, and, most often, she is nude. The footage of Nessa's body being showered with water is particularly powerful.

But this isn't a still series where I can call out a single image. In this way it is a rich, complex, and rewarding learn more here. Perhaps my favorite aspect of "Achtung" is viewing the model interacting with the photographer. True, there Hot and wet lesbians no audible dialog, but I can see her smiling at a joke, responding to a request, Hot and wet lesbians the session.

I hope you can forgive this longwinded excursion, but I am most impressed by this production. It's amply evident that these high definition movies are a highly desirable component of the MetArt package! A spa tub is the primary prop in Zyr's "Tangkuei," starring Katy A.

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And, quite frankly, little more is needed. The model begins her soaking session clad in a simple bra and panties, and lets the bubbles work their soothing magic. This is an understated set, and the mood is absent any great drama, but the temperature certainly climbs when Katy eases out of her under things to reveal her shapely figure.

There are many images in which Hot and wet lesbians model's body is partially submerged, thus putting the visual emphasis on her plump breasts and soulful facial expressions. But subtle portraiture is only part of this pictorial package, and several achingly explicit frames capture the ripe, rounded contours of her Hot and wet lesbians - and other moist and inviting features - just above the water's bubbling surface.

Towards the end of the series, Katy steps out of the water and gives us an unobstructed view of her perfectly proportioned body, but for sheer erotic impact, those shots of her in the water - check this out one eye-opening example - pack a wonderfully wet wallop. The opening "sequence" of Rylsky's "Calef," starring Ilze A. The model is lively, she is lovely, and her body is entirely luscious. Some of the posing, however, is curious.

Do we need to see Ilze put a log on the fire when she can generate so very much heat without such histrionics? Perhaps to answer the question, the set next moves to a lavatory Hot and wet lesbians with a spacious spa tub. Posing next Hot and wet lesbians and in the bath, Ilze now is in a far more flattering and versatile setting.

The model is gifted with a firm and ripe rump, and several shots capture this particular asset particularly well - on all fours in the water, init's a double-bubble delight.

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Ilze's physical charms don't "end" there, however, and her entire erotic arsenal receives ample exposure. This is a playful set, and while some of the posing feels just the slightest bit forced or contrived, Ilze appears to be having so much fun - and is so much fun to look at - that one wouldn't go here of complaining. When Hot and wet lesbians mixes Ilze A. If I'm not mistaken, the title of this post is the translation of the title of this set, "Piacere.

Taira A. Now she's back, with the same photographer, Hot and wet lesbians Mr. And this time she gets a lot more than just her feet wet. She begins both in and partially out of a pair of stripped panties and a button-front top. The floor is glossy black, the backdrop a silver-speckled black, as well.

Her long hair is pinned back stealthily in Hot and wet lesbians bun. Here face and body are in the foreground, distractions are few. Shots run the gamut from painterly to pulse-pounding.

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Of the former I quite Hot and wet lesbiansa full length portrait of a reclining beauty. And of the latter, practically speaks for itself. Oh, and things do get splendidly wet, but I'll leave the thrills of those particular discoveries to you, the viewer.

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In the opening image of "Levidas," Bogdana A. The black top she is wearing disappears instantly, leaving the curvaceous blonde clad only in minimalist, entirely sheer, black panties that leave nothing to the imagination - and that will incite feverish desires in even the most polite and restrained imaginations. There is a single visit web page in several shots, for a bit of colorful contrast.

And the black bed dressing bears a white floral print. But the flower I refer to in the title of this post is far more vibrant, alive, and distinctly feminine, if you can decipher a hint. Tony Murano takes full advantage of his unabashedly sexy subject, and captures the beauty of her face in several stylish headshots is Hot and wet lesbians favorite of these as well as her buxom body.

Hot and wet lesbians then he moves in close - extremely close - for intimate images that may well take your breath away. No, no, she is not. And for that we offer our boundless gratitude! Milena D. As this series begins she's at the sea shore, looking like a little rock star or groupie in clingy white pants, a fishnet tank top, scarf wrapped around her head, and big sunglasses on her face.

Just a heartbreaker. Then the set moves inside and takes a Hot and wet lesbians curious turn.

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Educate yourself on an endless number of erotic topics, and get real community member input on sex dating, fetishes, swinging, alternative dating, and much more! Just because you're on the go doesn't mean you have to miss out on all the fun. This MetArt movie is Janette A. When I critiqued her first appearance I was impressed. As it opens, Janette is drawing a bath. There is just a hint of uncertainty in her movements as she disrobes, but I find this endearing. And watching a girl as attractive as this one as she undresses can only be a pleasurable experience. We next find Janette, totally nude, on a bed strewn with rose pedals — the scene of her first series. She looks every bit as delicious as she did in the still shots, and the added motion is a distinct bonus. She is also seen elsewhere in the room, posing on the furniture. She tosses the pedals into the bath and then joins them for a soapy interlude. A wave, a blown kiss, and a playful smile end this varied and enjoyable offering on a particularly satisfying note. If someone in our group said he thought a particular girl was beautiful, my friend might say: She is a bit more plushly upholstered than I generally prefer. But, for me, she has her days. Or, in this case , she has her images. I tip my hat to photographer Ron Offlin for , a dreamy, inverted headshot. This series opens on a sweet and innocent note. Natalia G. The next twenty images restate the theme of beauty and innocence. Then things get decidedly less innocent. When Natalia raises the hem of her dress and parts her thighs the viewer is greeted by explicit, exceedingly frank views of sex in full, succulent flower. In fact, the presence of an actual flower in many of these shots seems a bit overdone. Yes, Mr. Offlin , we get the visual pun! Full credit to you, sir, now back to this sensational model! One favorite image: And there is a lot more of this type of brazen eroticism to be enjoyed here. I had to chuckle, when I got to , in which the model is again fully covered and coyly teases the strap of her dress off her shoulder. The model projects such an unpretentious, natural, enthusiasm! The combination of her eye-pleasing physique and her warm, open attitude is one I find quite irresistible. As near as I can tell, Agni A. And, just as I found my self hankering for a closer look, Agni, on all fours, arches her back, looks straight at the camera, and practically throws it at me. In both concept and execution this is art photography of a particularly elegant sort. Not stiff, stuffy, formal elegance, but the organic, stylish, natural type. A large piece of sheer yellow fabric floats in a flowing abstract shape. The light comes from directly above, but no effort is made to simulate sunlight. Sharon D. And from this, a subtly mysterious and strikingly beautiful series flows. The water is ever-present, but some combination of color and light make it appear as if the model is floating in air in several of the images. Each change of pose, no matter how small or large, moves the fabric and so no two images are alike. And those poses are many. I love , a lovely figure study. And for the pose. And I could go on and on. The very first image in this series is cute. Gisele A. As I said cute. But it is also delightfully deceptive. Because within the span of only a handful of images that cuteness has been replaced by raw physicality and vigorous carnality. The black set and backdrop Ingret employs is a crucial component. She strikes a very wide range of poses, many of them exceedingly frank and revealing. And for those who prefer things less raw, there are beguiling headshots and and appealing figure studies and Some of the rose shots seem a little forced, but when it works, it works extremely well. In shots and the flower adds a vivid burst of color to images that are already striking in their own right. Peggy A. A steady rain falls for the duration of this set starring Liv A. The model is uninhibited, experimental, playful, teasing, and quite tempting. And she offers up a wide range of clever, creative poses. Let me confess, at the onset, that this is the very first MetArt movie I have critiqued. As with every assignment I receive here at MetArt, I approach this one with an open mind and a fair measure of anticipation. Ah, the pleasure and challenge of moving pictures! Evaluating a movie is far different than evaluating a photo series. I recalibrate and let the movie play. Certain signatures of photographer Luca Helios are here - inventive lighting, the use of flowing water. But here they have a richer, dynamic impact. Nessa A. There is an undeniably voyeuristic element as the movie begins, and I'm pulled right in. The soundtrack is unobtrusive, yet still manages to enhance the images. And the images are quite striking to begin with! We see the model in repose on a leopard print throw. In sections she is in and out of crimson panties and bra, in others a black bustier, and, most often, she is nude. The footage of Nessa's body being showered with water is particularly powerful. But this isn't a still series where I can call out a single image. In this way it is a rich, complex, and rewarding experience. Perhaps my favorite aspect of "Achtung" is viewing the model interacting with the photographer. True, there is no audible dialog, but I can see her smiling at a joke, responding to a request, enjoying the session. I hope you can forgive this longwinded excursion, but I am most impressed by this production. It's amply evident that these high definition movies are a highly desirable component of the MetArt package! A spa tub is the primary prop in Zyr's "Tangkuei," starring Katy A. And, quite frankly, little more is needed. The model begins her soaking session clad in a simple bra and panties, and lets the bubbles work their soothing magic. This is an understated set, and the mood is absent any great drama, but the temperature certainly climbs when Katy eases out of her under things to reveal her shapely figure. There are many images in which the model's body is partially submerged, thus putting the visual emphasis on her plump breasts and soulful facial expressions. But subtle portraiture is only part of this pictorial package, and several achingly explicit frames capture the ripe, rounded contours of her ass - and other moist and inviting features - just above the water's bubbling surface. Towards the end of the series, Katy steps out of the water and gives us an unobstructed view of her perfectly proportioned body, but for sheer erotic impact, those shots of her in the water - is one eye-opening example - pack a wonderfully wet wallop. The opening "sequence" of Rylsky's "Calef," starring Ilze A. The model is lively, she is lovely, and her body is entirely luscious. Some of the posing, however, is curious. Do we need to see Ilze put a log on the fire when she can generate so very much heat without such histrionics? Perhaps to answer the question, the set next moves to a lavatory equipped with a spacious spa tub. Posing next to and in the bath, Ilze now is in a far more flattering and versatile setting. The model is gifted with a firm and ripe rump, and several shots capture this particular asset particularly well - on all fours in the water, in , it's a double-bubble delight. Ilze's physical charms don't "end" there, however, and her entire erotic arsenal receives ample exposure. This is a playful set, and while some of the posing feels just the slightest bit forced or contrived, Ilze appears to be having so much fun - and is so much fun to look at - that one wouldn't dream of complaining. When Rylsky mixes Ilze A. If I'm not mistaken, the title of this post is the translation of the title of this set, "Piacere. Taira A. Now she's back, with the same photographer, our Mr. And this time she gets a lot more than just her feet wet. She begins both in and partially out of a pair of stripped panties and a button-front top. The floor is glossy black, the backdrop a silver-speckled black, as well. Her long hair is pinned back stealthily in a bun. Here face and body are in the foreground, distractions are few. Shots run the gamut from painterly to pulse-pounding. Of the former I quite like , a full length portrait of a reclining beauty. And of the latter, practically speaks for itself. Oh, and things do get splendidly wet, but I'll leave the thrills of those particular discoveries to you, the viewer. In the opening image of "Levidas," Bogdana A. The black top she is wearing disappears instantly, leaving the curvaceous blonde clad only in minimalist, entirely sheer, black panties that leave nothing to the imagination - and that will incite feverish desires in even the most polite and restrained imaginations. There is a single rose in several shots, for a bit of colorful contrast. And the black bed dressing bears a white floral print. But the flower I refer to in the title of this post is far more vibrant, alive, and distinctly feminine, if you can decipher a hint. Tony Murano takes full advantage of his unabashedly sexy subject, and captures the beauty of her face in several stylish headshots is my favorite of these as well as her buxom body. And then he moves in close - extremely close - for intimate images that may well take your breath away. No, no, she is not. And for that we offer our boundless gratitude! Milena D. As this series begins she's at the sea shore, looking like a little rock star or groupie in clingy white pants, a fishnet tank top, scarf wrapped around her head, and big sunglasses on her face. Just a heartbreaker. Then the set moves inside and takes a particularly curious turn. Milena's underarms have sprouted fur since her time on the beach, she's added two braids to her flowing hair, and she's posing in a room cluttered with props. Bamboo sticks. A squat wooden stump. A beaded curtain. A basket filled with walnuts. An umbrella stand made of rope, a nutcracker, a metal sculpture of a snail, a pitcher of milk, a bowl of honey - the only thing missing is the kitchen sink. And all of these props serve not merely as set decoration, Erik Latika has his model utilize all of them. I find the results to be scattershot. With her exotic hairstyle and odd moccasins, is Milena some native maiden celebrating the nut harvest? Is she the goddess of bamboo, or perhaps a martial artist? And who's idea was it to comb and coif her pubes to resemble a bearded gent with a waxed mustache? Just when one imagines the prop-play can't get any odder, Milena proceeds to pour milk down her torso and drip honey on her breasts and bush. Add a packet of cereal and it's time for breakfast! This set leaves me with distinctly mixed emotions. What are your thoughts, MetArt members? There is much going on in this set. Much, much more than first meets the eye. It is filled with intriguing images, dripping with mood, it is subtle at one moment, then thrillingly explicit in the next. And with photos, in total, there is a lot of content to consider. But, first, let us consider the subject, a newcomer to MetArt, the dark-eyed Ella D. Her physical particulars are as fine as one could want, and, oh - what an air of mystery surrounds her! The late night feel of the lighting only serves to enhance this alluring trait. And what a breadth of imagery we find here. Some are formal, almost sculptural see Others are romantic and painterly in a classical, old fashioned way see In several the model projects more sensuous emotion with her eyes closed than other models can manage with both eyes wide open. After dissecting the abundant style, we're then gifted with stunning extreme close-ups that may very well sear the retinas of unsuspecting admirers. I could easily go on, but you really must examine this series for yourself to fully appreciate it. A balmy summer's day is coming to an end. The sea is placid, glassy. The air is still, the sand retains the day's warmth, the sun hangs low. It is this setting that a photographer has chosen for his first submission to MetArt. The subject he has chosen, Sophia F. This combination of ingredients, it becomes immediately clear, holds prodigious promise! Sophia has a cheery, almost bubbly presence. Her blue-eyed beauty is entirely natural, and she has a bit of a "girl next door" air about her. Wearing only jeans and a necklace, she poses and plays with a ripe melon. Indeed, the model's own melons, to speak in the vernacular, are at the peak of ripe perfection - round, firm, and visually delicious. And, when those dungarees hit the sand, the rest of her is no less enticing. A setting sun presents unique challenges to a photographer, but Koenart has the situation well in hand. His model is always pleasingly lit, yet he also manages to render the subtle colorations of the sky as evening falls. While the sun sets and the model smiles - see - I am more than pleased to welcome Sophia and Koenart to MetArt. I fervently hope - perhaps "pray" is the called for word - that the name of this series has no literal meaning. If Loreen A. But, in the worst possible case, if this is actually Loreen's swan song, it is an absolute treasure. From , a delightfully involving headshot that's it, above , to mouthwatering close-ups of magnificently moist anatomy - is one glorious example - this series is filled to the very brim with enticing images. Loreen is a total delight, visually and spiritually. She is flirtatious, filled with fun, seductive, gleeful, teasing, thoughtful, and energetic. Her body is lithe, supremely shapely, a cream-skinned wonderland that the eyes never tire of exploring. And her eyes? Oh, they are glittering azure jewels. Here's hoping we'll all soon be saying " Bonjour " to many more sets as wonderful as "Adieu," starring Loreen A. The introductory images in "Cinivia," starring Cristina A. The model relaxes on a sofa, clad in a short, but by no means brazen, black dress. She smiles sweetly. The lighting is subdued. Dispensing with the dress, the model reveals a sheer black teddy. Soon, however, she reveals much, much more. Neither the model or her photographer, Tony Murano, are at all bashful or reluctant. I will warn those members of our group who possess more refined or delicate sensibilities: Of course, what one viewer finds extreme, another viewer will find extremely pleasing, and so it is with this collection. The model is, throughout, an eager and involved participant. She is most obviously enjoying this exercise in titillation and temptation. She is enjoying it so much that she is, quite literally, oozing enjoyment. Viewed from a purely technical point of view, "Amovias" by Tony Murano is a richly textured, subtly nuanced, confidently experimental photo essay. The way he manipulates the lighting - including several impressionistic images of "smeared" candlelight - and the way he explores and emphasizes the shadows prevalent in this series, is truly remarkable. This model, dark, slim, and boasting a simmering sensuality, expresses a range of emotions every bit as rich and nuanced as the stylized photos she's appearing in. The pussy tastes better after sports. Lesbian ebony bitchs lick their twats. Foamy cunt wanking of lesbian sluts. Lesbian lip games. Oiled blondie is orally spoiled. Pussy pampering from both sides. Lesbian's pussy is licked from behind. Wild action with Chanell Heart and Layton Benton. Cunts rub each other's slits. Hot babes at an orgy. My God, what was happening? Jackie was confused. She opened her eyes and lifted her head up to see… Continue reading Mother Grounded Lesbian Stories Ann turned and saw Sandy sitting on a chair totally naked with her legs fully spread. Her mind was racing, images of big hard-ons, 7, 8, 9, even 10 inches burrowing deep inside of it. Now watch as I open myself up for you. She had her hands deep in my hair pushing my mouth up and deeply into her pussy. Now was the time! I made my tongue long and hard and rammed it straight up and into her vaginal tunnel. Her answer was a loud moan as she pressed her face into me and ate my pussy. Brenda knew how much I loved being eaten from behind, and electricity shot through me when her tongue… Continue reading Hungry Mouths: I was her candy store. She pinched my nipples hard… Continue reading A Lesbian Love Story Of Sorts Lesbian Stories I slowly slid my tongue between her deliciously large breasts and then moved downwards, my tongue never leaving her body. My tongue reached her shaved treasure; I paused my lips a millimetre away from her ripe cunt, and then moved lower. She gave out a disappointed moan as my head left her eager pussy… Continue reading Young Ashley Lesbian Stories This time Ashley greedily accepted Lisa's tongue into her mouth, and did a far better, albeit still amateur, job of kissing her back. As the two kissed Lisa fondled Ashley's saliva covered breasts for a moment. 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With her exotic hairstyle and odd moccasins, is Milena some native maiden celebrating the nut harvest? Is she the goddess of bamboo, or perhaps a martial artist? And who's idea was it to comb and coif her pubes to resemble a bearded gent with a waxed mustache? Just when one imagines the prop-play can't get any odder, Milena proceeds to pour milk down her torso and Hot and wet lesbians honey on her breasts and bush.

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click This set leaves me with distinctly mixed emotions. What are your thoughts, MetArt members? There is much going on in this set. Much, much more than first meets the eye. It is filled with intriguing images, dripping with mood, it is subtle at one moment, then thrillingly explicit in the next.

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After Hot and wet lesbians the abundant style, we're then gifted with stunning extreme close-ups that may very well sear the retinas of unsuspecting admirers. I could easily go on, but you really must examine this series for yourself to fully appreciate it.

A balmy summer's day is coming to an end. The sea is placid, glassy. The air is still, the sand retains the day's warmth, the sun hangs low.

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And, when those dungarees hit the sand, the rest of her is no less enticing. A setting sun presents unique challenges to a photographer, but Koenart has the situation well in hand. His model is always pleasingly lit, yet he also manages to render the subtle colorations of the sky as evening falls.

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If Loreen A. But, in the worst possible case, if this is actually Loreen's swan song, it is an absolute treasure. Froma delightfully involving headshot that's it, aboveto mouthwatering close-ups of magnificently moist anatomy - is one glorious example - this series is filled to the very brim with enticing images.

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And her eyes? Oh, they are glittering azure jewels. Here's hoping we'll all soon be saying " Bonjour " to many more Hot and wet lesbians as wonderful as "Adieu," starring Loreen A. The introductory images in "Cinivia," starring Cristina A. The model relaxes on a sofa, clad in a short, but by no means brazen, black dress. She smiles sweetly. The lighting is subdued. Dispensing with the dress, the model reveals a sheer black teddy.

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But this isn't a still series where I can call out a single image. In this way it is a rich, complex, and rewarding experience. Perhaps my favorite aspect of "Achtung" is viewing the model interacting with the photographer. True, there is no audible dialog, but I can see her smiling at a joke, responding to a request, enjoying the session. I hope you can forgive this longwinded excursion, but I am most impressed by this production. It's amply evident that these high definition movies are a highly desirable component of the MetArt package! A spa tub is the primary prop in Zyr's "Tangkuei," starring Katy A. And, quite frankly, little more is needed. The model begins her soaking session clad in a simple bra and panties, and lets the bubbles work their soothing magic. This is an understated set, and the mood is absent any great drama, but the temperature certainly climbs when Katy eases out of her under things to reveal her shapely figure. There are many images in which the model's body is partially submerged, thus putting the visual emphasis on her plump breasts and soulful facial expressions. But subtle portraiture is only part of this pictorial package, and several achingly explicit frames capture the ripe, rounded contours of her ass - and other moist and inviting features - just above the water's bubbling surface. Towards the end of the series, Katy steps out of the water and gives us an unobstructed view of her perfectly proportioned body, but for sheer erotic impact, those shots of her in the water - is one eye-opening example - pack a wonderfully wet wallop. The opening "sequence" of Rylsky's "Calef," starring Ilze A. The model is lively, she is lovely, and her body is entirely luscious. Some of the posing, however, is curious. Do we need to see Ilze put a log on the fire when she can generate so very much heat without such histrionics? Perhaps to answer the question, the set next moves to a lavatory equipped with a spacious spa tub. Posing next to and in the bath, Ilze now is in a far more flattering and versatile setting. The model is gifted with a firm and ripe rump, and several shots capture this particular asset particularly well - on all fours in the water, in , it's a double-bubble delight. Ilze's physical charms don't "end" there, however, and her entire erotic arsenal receives ample exposure. This is a playful set, and while some of the posing feels just the slightest bit forced or contrived, Ilze appears to be having so much fun - and is so much fun to look at - that one wouldn't dream of complaining. When Rylsky mixes Ilze A. If I'm not mistaken, the title of this post is the translation of the title of this set, "Piacere. Taira A. Now she's back, with the same photographer, our Mr. And this time she gets a lot more than just her feet wet. She begins both in and partially out of a pair of stripped panties and a button-front top. The floor is glossy black, the backdrop a silver-speckled black, as well. Her long hair is pinned back stealthily in a bun. Here face and body are in the foreground, distractions are few. Shots run the gamut from painterly to pulse-pounding. Of the former I quite like , a full length portrait of a reclining beauty. And of the latter, practically speaks for itself. Oh, and things do get splendidly wet, but I'll leave the thrills of those particular discoveries to you, the viewer. In the opening image of "Levidas," Bogdana A. The black top she is wearing disappears instantly, leaving the curvaceous blonde clad only in minimalist, entirely sheer, black panties that leave nothing to the imagination - and that will incite feverish desires in even the most polite and restrained imaginations. There is a single rose in several shots, for a bit of colorful contrast. And the black bed dressing bears a white floral print. But the flower I refer to in the title of this post is far more vibrant, alive, and distinctly feminine, if you can decipher a hint. Tony Murano takes full advantage of his unabashedly sexy subject, and captures the beauty of her face in several stylish headshots is my favorite of these as well as her buxom body. And then he moves in close - extremely close - for intimate images that may well take your breath away. No, no, she is not. And for that we offer our boundless gratitude! Milena D. As this series begins she's at the sea shore, looking like a little rock star or groupie in clingy white pants, a fishnet tank top, scarf wrapped around her head, and big sunglasses on her face. Just a heartbreaker. Then the set moves inside and takes a particularly curious turn. Milena's underarms have sprouted fur since her time on the beach, she's added two braids to her flowing hair, and she's posing in a room cluttered with props. Bamboo sticks. A squat wooden stump. A beaded curtain. A basket filled with walnuts. An umbrella stand made of rope, a nutcracker, a metal sculpture of a snail, a pitcher of milk, a bowl of honey - the only thing missing is the kitchen sink. And all of these props serve not merely as set decoration, Erik Latika has his model utilize all of them. I find the results to be scattershot. With her exotic hairstyle and odd moccasins, is Milena some native maiden celebrating the nut harvest? Is she the goddess of bamboo, or perhaps a martial artist? And who's idea was it to comb and coif her pubes to resemble a bearded gent with a waxed mustache? Just when one imagines the prop-play can't get any odder, Milena proceeds to pour milk down her torso and drip honey on her breasts and bush. Add a packet of cereal and it's time for breakfast! This set leaves me with distinctly mixed emotions. What are your thoughts, MetArt members? There is much going on in this set. Much, much more than first meets the eye. It is filled with intriguing images, dripping with mood, it is subtle at one moment, then thrillingly explicit in the next. And with photos, in total, there is a lot of content to consider. But, first, let us consider the subject, a newcomer to MetArt, the dark-eyed Ella D. Her physical particulars are as fine as one could want, and, oh - what an air of mystery surrounds her! The late night feel of the lighting only serves to enhance this alluring trait. And what a breadth of imagery we find here. Some are formal, almost sculptural see Others are romantic and painterly in a classical, old fashioned way see In several the model projects more sensuous emotion with her eyes closed than other models can manage with both eyes wide open. After dissecting the abundant style, we're then gifted with stunning extreme close-ups that may very well sear the retinas of unsuspecting admirers. I could easily go on, but you really must examine this series for yourself to fully appreciate it. A balmy summer's day is coming to an end. The sea is placid, glassy. The air is still, the sand retains the day's warmth, the sun hangs low. It is this setting that a photographer has chosen for his first submission to MetArt. The subject he has chosen, Sophia F. This combination of ingredients, it becomes immediately clear, holds prodigious promise! Sophia has a cheery, almost bubbly presence. Her blue-eyed beauty is entirely natural, and she has a bit of a "girl next door" air about her. Wearing only jeans and a necklace, she poses and plays with a ripe melon. Indeed, the model's own melons, to speak in the vernacular, are at the peak of ripe perfection - round, firm, and visually delicious. And, when those dungarees hit the sand, the rest of her is no less enticing. A setting sun presents unique challenges to a photographer, but Koenart has the situation well in hand. His model is always pleasingly lit, yet he also manages to render the subtle colorations of the sky as evening falls. While the sun sets and the model smiles - see - I am more than pleased to welcome Sophia and Koenart to MetArt. I fervently hope - perhaps "pray" is the called for word - that the name of this series has no literal meaning. If Loreen A. But, in the worst possible case, if this is actually Loreen's swan song, it is an absolute treasure. From , a delightfully involving headshot that's it, above , to mouthwatering close-ups of magnificently moist anatomy - is one glorious example - this series is filled to the very brim with enticing images. Loreen is a total delight, visually and spiritually. She is flirtatious, filled with fun, seductive, gleeful, teasing, thoughtful, and energetic. Her body is lithe, supremely shapely, a cream-skinned wonderland that the eyes never tire of exploring. And her eyes? Oh, they are glittering azure jewels. Here's hoping we'll all soon be saying " Bonjour " to many more sets as wonderful as "Adieu," starring Loreen A. The introductory images in "Cinivia," starring Cristina A. The model relaxes on a sofa, clad in a short, but by no means brazen, black dress. She smiles sweetly. The lighting is subdued. Dispensing with the dress, the model reveals a sheer black teddy. Soon, however, she reveals much, much more. Neither the model or her photographer, Tony Murano, are at all bashful or reluctant. I will warn those members of our group who possess more refined or delicate sensibilities: Of course, what one viewer finds extreme, another viewer will find extremely pleasing, and so it is with this collection. The model is, throughout, an eager and involved participant. She is most obviously enjoying this exercise in titillation and temptation. She is enjoying it so much that she is, quite literally, oozing enjoyment. Viewed from a purely technical point of view, "Amovias" by Tony Murano is a richly textured, subtly nuanced, confidently experimental photo essay. The way he manipulates the lighting - including several impressionistic images of "smeared" candlelight - and the way he explores and emphasizes the shadows prevalent in this series, is truly remarkable. This model, dark, slim, and boasting a simmering sensuality, expresses a range of emotions every bit as rich and nuanced as the stylized photos she's appearing in. Muted light streams in through a window. Three candles cast their warm glow. Irina slowly reveals her body, even as her face exposes aspect of her soul. She is seductive, she is pensive, she is teasing, she is aroused - she is, perhaps above all else, alluring. Some sets possess a theme that is distinct, obvious, and readily observed. In others the theme is something that must be slowly figured out through careful study. And other sets have no theme at all. To my mind, "Charme," by Ron Offlin is such a set. I am not complaining, mind you, I am merely making a comment. While it has no theme, "Charme" does have Simone B. A very voluptuous good thing. Posing on a sofa, in a parlor or antechamber, she is dressed in fetching lingerie. As her frillies come off, the temperature in that room quickly rises. And when she is nude the set takes a particularly explicit turn. As he's been known to do, Offlin offers his subject a piece of jewelry to play with, and the glittering embellishment adds a bit of sparkle to exposed anatomy that is already moist and glistening. In some of the photos Simone is reading an automotive magazine. I find this curious. But maybe that's the key to the set's theme! Is Simone in a doctor's waiting room? If so, he's certain to enjoy her appointment! What do you think? Here is a set that is filled with subtle nuance. And here is a set that is, at the same time, filled with blunt and forceful impact. It ranges from kittenish softness to clinical exposition. There are images that inspire a sigh of mellow appreciation. And there are images that elicit a gasp of lusty surprise. Who is responsible for such a rich series? Photographer Tony Murano is almost shockingly adept at his craft. From full-body images to extreme close-ups he is simultaneously a gifted artist and an impressive technician. And his model, the exotic and shapely Rachel B. But neither of the two - photographer or model - can claim dominance or sole ownership of "Ammix. And this collaboration is an undeniable success. Rachel is gifted with almond eyes, pale-nippled and generously proportioned breasts, and feminine amenities that must be seen to be properly comprehended. Murano devotes much time and talent to revealing these gifts, and he extracts maximum dazzle from each and every one of the 22 megapixels at his disposal. Water is a favorite component of many sets crafted by frequent MetArt contributing photographer Luca Helios. In "Fiorita" the vast majority of the images feature eye-catching Caprice A. The effects attained with this combination are vigorously erotic. Slim, trim, toned and petite, Caprice is a dark-eyed nymphet who exhibits not a single shred of shyness. She is bold and uninhibited, to be sure, but there is an eager, energetic sexuality on display in these images that could never be misconstrued as lewd vulgarity even in her most explicit and revealing postures. The set leaves much room for fantasy and speculation. Is Caprice relaxing and refreshing herself after an energetic tryst? Or is she bathing in anticipation of a meeting with a lover? In either imagined scenario, and in these wonderfully wet images, she truly is a bathing cutie! If you've ever wondered what the term "bedroom eyes" meant, wonder no more. Just eyeball virtually any photo in this collection and you'll understand the concept perfectly. The seductive and inviting look in Marina's eyes is mesmerizing, but she possesses many additional assets and Ron Offlin has a frank and forthright manner of catching them with his camera. Marina H. She has curves. She has a sensational shape. And her coloring - the rich deep, dark brown of her long hair, and the eye-catching pinkness of her nipples - is dramatic. So is what is revealed when the model brazenly parts her thighs to show off her sex. That last sentence really needs a "! The set's title, "Schitterend," had me baffled, but I'm given to understand that it means "Shining," in Dutch. And it is certainly a shining example of erotic portraiture. I am aware that lensman Luca Helios has employed this signature approach in previous MetArt contributions, but this is my first exposure to the style so I will offer my unvarnished impressions. Let me first applaud a technical style and aesthetic approach that is completely out of the ordinary. For that, alone, this series earns respect. The sheer technical effort, the coordination of a team, to produce these complex and striking images, is truly impressive. But technique is technique, and it is nothing without a suitable model. This, of course, is where Sammy A. She is up to the dynamic challenges of light, dark, wet, dry, and plenty of unpredictable motion. The set hits a "high water mark," if you'll excuse the pun, in , where the arching architecture of Sammy's toned body is artfully reflected in the watery surface on which she reclines. My challenge, the challenge I face every time I sit down to write another post for the MetArt blog, is to find something noteworthy about the set at hand, to provide insight to the reading membership, and to suggest approaches to MetArt that enrich the experience. After a while, I started getting sexually frustrated so I began getting Continue reading. It was October 31st and me and my friend Amanda got invited Before this day, i always considered myself to be straight, until one night She has a live in significant other. They are both bigger women. My sister told me her friend would like a little different fun and she My sister's girlfriend, Sue But I must have done it right because she squirmed and writhed just like the girls in the video. She called my name out over and over, saying things so sweet and so comforting… Continue reading Kate and Lisa: Removing it, it would be coated with juices. Always do this when a boy wants to fuck you. You want to let him know you want him. Let him see your hot little cunt. It will make his cock very hard. Then you can suck him She could feel her juices running down her thighs. I could feel her clit, rigid and swollen and I pulled at it softly bringing about a soft sigh of pleasure from her lips. My birthdate: Month January February March April May June July August September October November December Day 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Year Lucia St. Closest city: Zip code: Step 2 of 2 birthday is on: Email address: Choose a username: Create Password: Case sensitive. Introduction title: At least 10 characters long. Tell others about yourself: Optional Need help?.

Soon, however, she reveals much, much more. Neither the model or her photographer, Tony Murano, are at all bashful or reluctant. I will warn those members of our group who possess more refined or delicate sensibilities: Of course, what one viewer finds extreme, another viewer will find extremely pleasing, and so it is Hot and wet lesbians this collection.

The model is, throughout, an eager and involved participant. She is most obviously enjoying this exercise in titillation and temptation. She Hot and wet lesbians enjoying it so much that she is, quite literally, oozing enjoyment. Viewed from a purely technical point of view, read more by Tony Murano is a richly textured, subtly nuanced, confidently experimental photo essay. The way he manipulates the lighting - including several impressionistic images of "smeared" candlelight - and the way he explores and emphasizes the shadows prevalent in this series, Hot and wet lesbians truly remarkable.

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This model, dark, slim, and Hot and wet lesbians a simmering sensuality, expresses a range of emotions every bit as rich and nuanced as the stylized photos she's appearing in. Muted light streams in through a window. Three candles cast their warm glow. Irina slowly reveals her body, even as her face exposes aspect of her soul. She is seductive, she is pensive, she is teasing, she is aroused - she is, perhaps above all else, alluring. Some sets possess a theme that is distinct, obvious, and readily observed.

In others the theme is something that must be slowly figured out through careful study. And other sets have no theme at all. To my mind, "Charme," by Ron Offlin is such a set. I am not complaining, mind you, I am merely making a comment. While it has no Hot and wet lesbians, "Charme" does have Simone B.

Celb pussy Watch Sandi beach amateur gay girls porn Video Stocking porns. Lesbians satisfy each other orally in the car. Jess West likes lesbians. Kitchen sex with hot lesbians. Hot lesbians love pussy juice. Hot lesbians spoil each other. Blonde lesbians caress their cunts. Interracial sex with pretty lesbians. Four girls have sex for the first time. The pussy tastes better after sports. Lesbian ebony bitchs lick their twats. My first two exposures to the lithe and lovely Lily B. In the first set, she posed on a Jeep, in the second on a rocky cliff. It is only a matter of seconds before I have the answer. And this girl loves the camera right back. The setting here is a mixture of manmade and natural. In much of the movie Lily B. There is a joyful energy and enthusiasm on display here that is entirely natural and which makes for involving and entertaining viewing. Director Fenix keeps the pace lively, shoots from a wide variety of angles - including close-ups - and takes full advantage of the location. This MetArt movie is Janette A. When I critiqued her first appearance I was impressed. As it opens, Janette is drawing a bath. There is just a hint of uncertainty in her movements as she disrobes, but I find this endearing. And watching a girl as attractive as this one as she undresses can only be a pleasurable experience. We next find Janette, totally nude, on a bed strewn with rose pedals — the scene of her first series. She looks every bit as delicious as she did in the still shots, and the added motion is a distinct bonus. She is also seen elsewhere in the room, posing on the furniture. She tosses the pedals into the bath and then joins them for a soapy interlude. A wave, a blown kiss, and a playful smile end this varied and enjoyable offering on a particularly satisfying note. If someone in our group said he thought a particular girl was beautiful, my friend might say: She is a bit more plushly upholstered than I generally prefer. But, for me, she has her days. Or, in this case , she has her images. I tip my hat to photographer Ron Offlin for , a dreamy, inverted headshot. This series opens on a sweet and innocent note. Natalia G. The next twenty images restate the theme of beauty and innocence. Then things get decidedly less innocent. When Natalia raises the hem of her dress and parts her thighs the viewer is greeted by explicit, exceedingly frank views of sex in full, succulent flower. In fact, the presence of an actual flower in many of these shots seems a bit overdone. Yes, Mr. Offlin , we get the visual pun! Full credit to you, sir, now back to this sensational model! One favorite image: And there is a lot more of this type of brazen eroticism to be enjoyed here. I had to chuckle, when I got to , in which the model is again fully covered and coyly teases the strap of her dress off her shoulder. The model projects such an unpretentious, natural, enthusiasm! The combination of her eye-pleasing physique and her warm, open attitude is one I find quite irresistible. As near as I can tell, Agni A. And, just as I found my self hankering for a closer look, Agni, on all fours, arches her back, looks straight at the camera, and practically throws it at me. In both concept and execution this is art photography of a particularly elegant sort. Not stiff, stuffy, formal elegance, but the organic, stylish, natural type. A large piece of sheer yellow fabric floats in a flowing abstract shape. The light comes from directly above, but no effort is made to simulate sunlight. Sharon D. And from this, a subtly mysterious and strikingly beautiful series flows. The water is ever-present, but some combination of color and light make it appear as if the model is floating in air in several of the images. Each change of pose, no matter how small or large, moves the fabric and so no two images are alike. And those poses are many. I love , a lovely figure study. And for the pose. And I could go on and on. The very first image in this series is cute. Gisele A. As I said cute. But it is also delightfully deceptive. Because within the span of only a handful of images that cuteness has been replaced by raw physicality and vigorous carnality. The black set and backdrop Ingret employs is a crucial component. She strikes a very wide range of poses, many of them exceedingly frank and revealing. And for those who prefer things less raw, there are beguiling headshots and and appealing figure studies and Some of the rose shots seem a little forced, but when it works, it works extremely well. In shots and the flower adds a vivid burst of color to images that are already striking in their own right. Peggy A. A steady rain falls for the duration of this set starring Liv A. The model is uninhibited, experimental, playful, teasing, and quite tempting. And she offers up a wide range of clever, creative poses. Let me confess, at the onset, that this is the very first MetArt movie I have critiqued. As with every assignment I receive here at MetArt, I approach this one with an open mind and a fair measure of anticipation. Ah, the pleasure and challenge of moving pictures! Evaluating a movie is far different than evaluating a photo series. I recalibrate and let the movie play. Certain signatures of photographer Luca Helios are here - inventive lighting, the use of flowing water. But here they have a richer, dynamic impact. Nessa A. There is an undeniably voyeuristic element as the movie begins, and I'm pulled right in. The soundtrack is unobtrusive, yet still manages to enhance the images. And the images are quite striking to begin with! We see the model in repose on a leopard print throw. In sections she is in and out of crimson panties and bra, in others a black bustier, and, most often, she is nude. The footage of Nessa's body being showered with water is particularly powerful. But this isn't a still series where I can call out a single image. In this way it is a rich, complex, and rewarding experience. Perhaps my favorite aspect of "Achtung" is viewing the model interacting with the photographer. True, there is no audible dialog, but I can see her smiling at a joke, responding to a request, enjoying the session. I hope you can forgive this longwinded excursion, but I am most impressed by this production. It's amply evident that these high definition movies are a highly desirable component of the MetArt package! A spa tub is the primary prop in Zyr's "Tangkuei," starring Katy A. And, quite frankly, little more is needed. The model begins her soaking session clad in a simple bra and panties, and lets the bubbles work their soothing magic. This is an understated set, and the mood is absent any great drama, but the temperature certainly climbs when Katy eases out of her under things to reveal her shapely figure. There are many images in which the model's body is partially submerged, thus putting the visual emphasis on her plump breasts and soulful facial expressions. But subtle portraiture is only part of this pictorial package, and several achingly explicit frames capture the ripe, rounded contours of her ass - and other moist and inviting features - just above the water's bubbling surface. Towards the end of the series, Katy steps out of the water and gives us an unobstructed view of her perfectly proportioned body, but for sheer erotic impact, those shots of her in the water - is one eye-opening example - pack a wonderfully wet wallop. The opening "sequence" of Rylsky's "Calef," starring Ilze A. The model is lively, she is lovely, and her body is entirely luscious. Some of the posing, however, is curious. Do we need to see Ilze put a log on the fire when she can generate so very much heat without such histrionics? Perhaps to answer the question, the set next moves to a lavatory equipped with a spacious spa tub. Posing next to and in the bath, Ilze now is in a far more flattering and versatile setting. The model is gifted with a firm and ripe rump, and several shots capture this particular asset particularly well - on all fours in the water, in , it's a double-bubble delight. Ilze's physical charms don't "end" there, however, and her entire erotic arsenal receives ample exposure. This is a playful set, and while some of the posing feels just the slightest bit forced or contrived, Ilze appears to be having so much fun - and is so much fun to look at - that one wouldn't dream of complaining. When Rylsky mixes Ilze A. If I'm not mistaken, the title of this post is the translation of the title of this set, "Piacere. Taira A. Now she's back, with the same photographer, our Mr. And this time she gets a lot more than just her feet wet. She begins both in and partially out of a pair of stripped panties and a button-front top. The floor is glossy black, the backdrop a silver-speckled black, as well. Her long hair is pinned back stealthily in a bun. Here face and body are in the foreground, distractions are few. Shots run the gamut from painterly to pulse-pounding. Of the former I quite like , a full length portrait of a reclining beauty. And of the latter, practically speaks for itself. Oh, and things do get splendidly wet, but I'll leave the thrills of those particular discoveries to you, the viewer. In the opening image of "Levidas," Bogdana A. The black top she is wearing disappears instantly, leaving the curvaceous blonde clad only in minimalist, entirely sheer, black panties that leave nothing to the imagination - and that will incite feverish desires in even the most polite and restrained imaginations. There is a single rose in several shots, for a bit of colorful contrast. And the black bed dressing bears a white floral print. But the flower I refer to in the title of this post is far more vibrant, alive, and distinctly feminine, if you can decipher a hint. Tony Murano takes full advantage of his unabashedly sexy subject, and captures the beauty of her face in several stylish headshots is my favorite of these as well as her buxom body. And then he moves in close - extremely close - for intimate images that may well take your breath away. No, no, she is not. And for that we offer our boundless gratitude! Milena D. As this series begins she's at the sea shore, looking like a little rock star or groupie in clingy white pants, a fishnet tank top, scarf wrapped around her head, and big sunglasses on her face. Just a heartbreaker. Then the set moves inside and takes a particularly curious turn. Milena's underarms have sprouted fur since her time on the beach, she's added two braids to her flowing hair, and she's posing in a room cluttered with props. Bamboo sticks. A squat wooden stump. A beaded curtain. A basket filled with walnuts. An umbrella stand made of rope, a nutcracker, a metal sculpture of a snail, a pitcher of milk, a bowl of honey - the only thing missing is the kitchen sink. And all of these props serve not merely as set decoration, Erik Latika has his model utilize all of them. I find the results to be scattershot. With her exotic hairstyle and odd moccasins, is Milena some native maiden celebrating the nut harvest? Is she the goddess of bamboo, or perhaps a martial artist? And who's idea was it to comb and coif her pubes to resemble a bearded gent with a waxed mustache? Just when one imagines the prop-play can't get any odder, Milena proceeds to pour milk down her torso and drip honey on her breasts and bush. Add a packet of cereal and it's time for breakfast! This set leaves me with distinctly mixed emotions. What are your thoughts, MetArt members? There is much going on in this set. Much, much more than first meets the eye. It is filled with intriguing images, dripping with mood, it is subtle at one moment, then thrillingly explicit in the next. And with photos, in total, there is a lot of content to consider. But, first, let us consider the subject, a newcomer to MetArt, the dark-eyed Ella D. Her physical particulars are as fine as one could want, and, oh - what an air of mystery surrounds her! The late night feel of the lighting only serves to enhance this alluring trait. And what a breadth of imagery we find here. Some are formal, almost sculptural see Others are romantic and painterly in a classical, old fashioned way see In several the model projects more sensuous emotion with her eyes closed than other models can manage with both eyes wide open. After dissecting the abundant style, we're then gifted with stunning extreme close-ups that may very well sear the retinas of unsuspecting admirers. I could easily go on, but you really must examine this series for yourself to fully appreciate it. A balmy summer's day is coming to an end. The sea is placid, glassy. The air is still, the sand retains the day's warmth, the sun hangs low. It is this setting that a photographer has chosen for his first submission to MetArt. The subject he has chosen, Sophia F. This combination of ingredients, it becomes immediately clear, holds prodigious promise! Sophia has a cheery, almost bubbly presence. Her blue-eyed beauty is entirely natural, and she has a bit of a "girl next door" air about her. Wearing only jeans and a necklace, she poses and plays with a ripe melon. Indeed, the model's own melons, to speak in the vernacular, are at the peak of ripe perfection - round, firm, and visually delicious. And, when those dungarees hit the sand, the rest of her is no less enticing. A setting sun presents unique challenges to a photographer, but Koenart has the situation well in hand. His model is always pleasingly lit, yet he also manages to render the subtle colorations of the sky as evening falls. While the sun sets and the model smiles - see - I am more than pleased to welcome Sophia and Koenart to MetArt. I fervently hope - perhaps "pray" is the called for word - that the name of this series has no literal meaning. If Loreen A. But, in the worst possible case, if this is actually Loreen's swan song, it is an absolute treasure. From , a delightfully involving headshot that's it, above , to mouthwatering close-ups of magnificently moist anatomy - is one glorious example - this series is filled to the very brim with enticing images. Loreen is a total delight, visually and spiritually. She is flirtatious, filled with fun, seductive, gleeful, teasing, thoughtful, and energetic. Her body is lithe, supremely shapely, a cream-skinned wonderland that the eyes never tire of exploring. And her eyes? Oh, they are glittering azure jewels. Here's hoping we'll all soon be saying " Bonjour " to many more sets as wonderful as "Adieu," starring Loreen A. The introductory images in "Cinivia," starring Cristina A. The model relaxes on a sofa, clad in a short, but by no means brazen, black dress. She smiles sweetly. The lighting is subdued. Dispensing with the dress, the model reveals a sheer black teddy. Soon, however, she reveals much, much more. Neither the model or her photographer, Tony Murano, are at all bashful or reluctant. They could smell each other. Monica was spell bound by this young woman before her. Her mother was licking her down there! My God, what was happening? Jackie was confused. She opened her eyes and lifted her head up to see… Continue reading Mother Grounded Lesbian Stories Ann turned and saw Sandy sitting on a chair totally naked with her legs fully spread. Her mind was racing, images of big hard-ons, 7, 8, 9, even 10 inches burrowing deep inside of it. Now watch as I open myself up for you. She had her hands deep in my hair pushing my mouth up and deeply into her pussy. Now was the time! I made my tongue long and hard and rammed it straight up and into her vaginal tunnel. Her answer was a loud moan as she pressed her face into me and ate my pussy. Brenda knew how much I loved being eaten from behind, and electricity shot through me when her tongue… Continue reading Hungry Mouths: I was her candy store. 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